Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Benozzo Gozzoli
Procession of the Middle King

ID: 62401

Benozzo Gozzoli Procession of the Middle King
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Benozzo Gozzoli Procession of the Middle King


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Benozzo Gozzoli

Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 ?C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes, now badly damaged, for the Camposanto in Pisa (1468 ?C 84).   Related Paintings of Benozzo Gozzoli :. | The Procession of the Magi | Journey of the Magi to Bethlehem | Procession of the Magi (mk08) | Scenes From the Life of St.Augustine | Adoration of the Magi |
Related Artists:
Osman Hamdy Bey
Turkey, born 1842 - died 1910
Erasmus Quellinus
1607-1678 Flemish Erasmus Quellinus Gallery
TENIERS, David the Younger
Flemish Baroque Era Painter, 1610-1690 a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter






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